Friday, March 9, 2012

Fit to Judge

Title: Fit to Judge
by Catt Kingsgrave
Rating: Spicy, with Opinions and swear words.
Wordcount: 671
Genre: Lyric poetry
Author's notes: One too many Limbaugh apologists, and Clue goes off like a grenade. Pull the pin and watch her spin off like a ten-clawed quisinart of sarcastic death.
Feedback: Pet meeeee!
Linking/reposting: Sure, with credit. Just ask first, and send me a link.
Tips: If you're motivated, yes please. paypal knows how to find me.

Fit to Judge
by Catt Kingsgrave

You hear a lot, these days, about what folks are doing wrong
And every two bit pundit adds a chorus to the same old song
How that one’s wicked, that one’s wrong, and this one’s just plain sick
And not one single word on what it is that makes them tick
No single scrap of reason over just what it could be
Makes the ‘wicked,’ ‘wrong,’ and ‘sick’ feel that’s the best path they could see.
And when the likes of me are getting sloshed with righteous wrath,
It kinda makes me want to kick your skinny, privileged ass and tell you,

You ain’t fit to judge me, mister; you ain’t fit to know.
You never tried to put your foot into my shoe and walk, and so
You’ve no idea the time it takes to get a mile along
No, you ain’t fit to say you think I’m wrong!

So you don’t like my birth control, and you don’t like my choice
And you bible-swear your jihad is to be the unborn’s voice.
You call me slut and murderess, and filthy, lazy whore
But ‘welfare queen’s’ your name for those with kids they can’t afford!
And funny thing about it, is a rapist don’t much care
About a victim’s birth control, nor what he sires there.
So you can have the aspirin I won’t keep between my knees
And you know where to stick it when you find my choice don’t please

You ain’t fit to judge me, sister; you ain’t fit to bitch
You never had to see how far my paycheck has to stretch
You ain’t the one who works three jobs and still can’t get along
So you ain’t fit to say my choosing’s wrong!

So you don’t like my BMI; my waistline make you sick
You sling out ‘lardass,’ ‘slob,’ ‘obese,’ then snigger like a prick
My attitude ain’t suitable, cause I don’t seem ashamed
Nor hate myself enough for the unsightliness you’ve named
And when I strut, or when I dance, or I laugh right in your face
You’ll all but bust a vein trying to put me in ‘my place’
But there’s a million different factors in each metabolic play
And you look like an asshole when you claim the one true way

You ain’t fit to judge me, cousin; you ain’t fit to preach
Some fad you heard on Oprah don’t give you the right to teach
Your self-loathing to the masses with your privilege perched on top
No, you ain’t fit to be my fitness cop!

You don’t have to like my haircut, you don’t have to like my jeans
You don’t have to like my politics, my sex life, or my dreams.
My religion’s not your business, who I love is not your say
But this Christ you claim to speak for had some words, back in the day,
Bout camels, eyes of needles, and a miser’s heaven odds,
How Faith was not for sale, and what was Caesar’s was not God’s
And just who would do the judging when the run of life was through
And that book is pretty clear; the final say don’t fall to you

Cause you ain’t fit to judge me, neighbor; you ain’t fit to throw
A single stone at folks like me, cause deep inside, you know
You and I, we ain’t so different, and your sins weigh just as much
And your moral high-ground soapbox is tilting a bit much

No, you ain’t fit to judge me, but just set that gavel by
And listen when you listen, don’t just plan your next reply
I bet you lunch between us we can find some common sense
Once we cut through all the bullshit
and the rhetoric and dogma
And the soundbyte blame and ugly names
And finger-pointing quagmires
And the shock jocks and the stooges
And the lobbyists and scrooges
And act as if there’s more between the two of us
Alike, than difference.
But that’s just my two cents.

Thursday, January 12, 2012

It's Arisia time again!!!

Yerp! It's that time of year again -- the time when Catt can do little more than sew, pack, fret, and talk about her panel schedule!

So let's get the schedule out of the way, shall we?

Friday:
5:30 -- Corsets, Hoops, & Other Undergarments: That'll be as it says on the label, I'm pretty sure. For myself, I'll be bringing scans, and a Very Fluffy Bustle. I'll leave the corsets to other folks this time.
7:00 -- The Exiled Character: Again, what it says on the tin. Only they've writ me in as the Moderator for this panel, so you never know what I'll get up to once the power goes to my head. (Note to self: have div-head look up the word 'moderation' in dictionary AFTER the con! Also, no bodies!)

I'll be doing lots of hanging out on Friday, seeing as how I'm not scheduled to the wall this time. So; wanna hook up?* Drop me a comment. Also, there will most likely be filking that night. BeCAUSE; that's why!

Saturday:
11:30 am -- Character Building: This is in the writing track, so y'all can expect to hear me espousing the virtues of Stanislavsky Character Writing Method. I'm just like that.
1:00 pm -- Magickal Traditions: A Review: I'll be there representing the 'Make Shite Up' tradition...
5:30 pm -- Sexual Harassment and Assault in Fandom: We'll be going over what it is, what it looks like when it presents itself in fandom, and what to do about it, whether you're the target, or a bystander. Or a perpetrator.
10:00 pm -- Mud and Blood: The Grittier Side of Fantasy: This will be where I express what an utterly FILTHY place the past was.

Again, probably there will be filking. But there might also be dancing, or possibly hooking up/hanging out in the bar, depending on DJ, bartender, and potential flirt-targets.

Sunday:
12:pm - 2:pm -- I'll be manning the Back Up Project table. For those of you who don't know what the Back Up Project is, come find me at the table, and I'll explain it.
2:30 pm -- Use Your Words: Dialogoue, Prose, and Tone: Another writer's craft panel. And again, pretty much what it sounds like on the label. No sparse prose for me, thank you!
7:00 pm -- READING! I'll be doing a selection from One Saved To The Sea, which will be coming out from Circlet Press sometime this coming year. Spring. I'm going to say it'll be out in the Spring. I'll let you know if I'm mistaken.
10:00 pm -- Fan Etiquette: How Not to Be *That* Fan: We know him, we fear him, and sometimes, despite the best of our intentions, we are him. Come hear us discuss the field identification notes for *That* Fan. I predict highlarious and slightly skeevy stories.
11:30 pm -- "No Sh*t, There I Was!": Oral Storytelling: Who in the world put this panel so late? Ah well. Assuming the panelists and/or audience shows up, we'll have a good time anyhow.

No filking for me on Sunday night, I fear. Instead, I expect there will be sleep, because I have a panel to be at on...

Monday:
10:00 am -- Collaborating Couples: Working with the one you fuck, and not killing them. Yeah, it's about that.
11:30 am -- Setting as Character: From Hogwarts, to the House, there are fantastic places that drive the plot as much as any characters within them. There will be a quiz afterward, to see who can correctly spell Gormenghast.
2:30 pm -- Mainstream Fiction for Fen: Again, they're giving me the Button! The Shiny! Red! CANDYLIKE! BUTTON!!!

After that, I go home.
MWAHkisses!

Now, the rules:

* If you're going to touch me, arm, shoulder, waist, or anywhere, make sure and get my attention first. This will make it less likely that I'll swing on you in alarm. My purse is heavy, my elbows sharp, and I get hypervigilant in crowded public situations. I will be sorry I hit you afterward, but I'm sure we'd both rather you didn't get hit at all.

* I like flirting. It's fun, and I'm quite good at it. However, I do not do hookups. At all. I will flirt like a pub-wench, but that does not mean I'm going to get naked with you, or, in fact, with anyone whom I do not know quite well. If we have amazing chemistry, then I'll really enjoy getting to know you, and going on several dates before the topic of pantslessness will even be set onto the table. I am bi, poly, and kinky, but I am NOT easy.

* If I'm brusque, snappish, or rude to you, please just call my attention to it, and ask what I meant before getting hurt, if at all possible. I might be having a sugar crash, I might be quietly freaking out about too many people and not enough space, and I might just be having a case of Sagittarius hoof-in-mouth disease, and not have realized whereon I trod. It happens. I would far rather set something like that straight at once than have to circle back through a months-old welter of hurt feelings to figure out what happened and apologize.

* If you want to sing with me, have a drink with me, hang out with me, or fansquee with me, by all means do so! That's what cons are for.

* It's ok if you step on my train. Everybody does it. No, really. Everybody.

* Yes, you may take pictures of me when I'm in the halls in costume, or when I'm sitting on a panel. No, you may NOT take pictures of me when I'm eating, or drinking, or making out with someone. Please be courteous with your cameras.

Sunday, January 8, 2012

Book review; The Victorian Underworld

The Victorian UnderworldThe Victorian Underworld by Donald Thomas

My rating: 5 of 5 stars


This might actually be the very best writer's resource for the Victorian period in England I have ever encountered. Western literature is stuffed full of depictions of the glamorous upper class, but the depictions of the middle and lower classes are reliably shallow, and often quite poorly thought out. This book, based on the social work of Mr. Mayhew, who went amoung the poor and the criminal classes and recorded, in their own words, their answers to his interview questions, reflects a much richer, and more nuanced reality of the society upon which the 'literary Victorian' society was balanced.

This book illustrates the underclasses' strata of rankings, describes how they perceived themselves in the mews and rookeries of pre-blitz London. It has chapters on pornography and prostitution, thieves and beggars, crooked police, prisons and punishment, and epic swindles that put one instantly in mind of modern Wall Street. Any reader who is at all salient on the points of current affairs in the West will find a wealth of eerie similarities between the political and social environment of the later 1800's and today.

I recommend this book without reserve, however I will give the caveat that it's excellent for nibbling upon as one has a taste for it, as opposed to a face-hugging book. However, seeing as how it's a history sampler and a reference book, this is entirely forgivable in my scoring system.



View all my reviews

Sunday, December 25, 2011

Thoughts Contingent on The Turning of The Long Night

He asked me, after his first, "What's the significance to the Solstice Vigil? I mean, I'm kinda not getting the symbolism."

I had been expecting that, and offered my answer couched in the mythology of it all; "Solstice night is when the Lady labors to bring forth her Son -- the God, back into the world. We stay awake and keep the vigil as any family members do, and should, when their mother, or wife, or sister labors through the night to bring forth life. Not because we can shoulder any of the burden, or make it easier on Her, but out of respect to the work She is doing, and the life She has created, and is now working to give to us."

And on one level, that is so.

But it doesn't actually go far enough, of course. Because we live in an age of scientific prominence now (Climate Deniers and Creationists notwithstanding,) and, as another friend pointed out to me, "I can't take it too seriously when I KNOW there's no danger of the sun not coming up tomorrow, you know?"

And he's right, too. We know it's axial tilt that brings the winter as well as the summer; that an eclipse is a predictable, and temporary situation, and not a sign of the End Times; that comets don't bring the Black Death; and unicorns don't cure poison, nor do hedgehogs invade vinyards in order to roll in the fallen grapes and turn their spines into hateful wee cocktail skewers. (Oh, medieval zoology, you stay wacky!)

So why stay up all night long then? It's not a cakewalk, that. On the far side of three, it gets to be quite an uphill haul, especially when you don't strictly HAVE to do it. I mean, to pull an all-nighter when you're cramming for a test, or writing that last minute paper, within a chapter of finishing your novel, or trying to get a show's worth of artwork framed and matted because it has to be in the mail first thing in the morning (coughTimcough) those are tangible, concrete reasons for pushing through the night. As is staying out and partying all night when you're on the leaside of twenty, think your liver's ironclad and gold plated, and that sleeping when you're dead is a viable option.

But to do it at home, in comfort on a winter's night, with little more than caffeine and rowdy TV to keep you from dozing off when three thirty AM comes sniffing around... really?

Yes. Really. Because sometimes our faith needs to tangibly remind us that it's not all going to be easy. Yes, the lengthening night begins to scroll back from here on in, but that doesn't mean the winter's over, or even that the worst of it's past -- contrariwise, it actually means that the hard part's just begun. It's going to get colder. The winter will get harder and deeper, and the slightly longer days will be little comfort against the grey storm skies and iron black trees. There's hope, and that hope will grow as spring creeps nearer, but we will have to work in order to see it through -- in order to see ourselves through, so that Eostar finds us in a position where we want to be.

Just as there comes a time during every vigil when nearly every cell of you is arguing in favor of closed eyes and a warm bed; of rolling over, settling into the doze, and letting things just roll along on autopilot, we will be tempted when our own lives get hard, to just coast. To figure that the axial tilt will handle things even if we have a nap. To choose to leave the striving to someone else and just float rather than fighting the undercurrents to get to the beachhead landing we have in mind.

And that's a choice which any of us can make, truth be told, but if you sleep while others row, then you don't get a say in where the boat's going, do you? If you stop pushing when it gets too hard, then your limits are where you've set them until you get up and start pushing again. If you say you're done, then you're done, even if you might have gone further.

Solstice vigil reminds us how to be strong. How to walk uphill for as long as the ground rises, and our road leads that way. How to keep going when stopping would be more convenient; how to keep believing even when the conclusion seems foregone, and the whole thing little more than a pantomime. Mummers, of course, were a Yuletide tradition for longer than long, and what is a Mummer but one who shapes the world in dance and mime, song and story, teaching it to follow in his footsteps to a place where goodness is triumphant, and evil collects only its karmic due? What is any ritual, but us informing the Universe of our expectations and desires, in hopes some influential force might be paying attention? We are Mummers through the night, miming survival and patient endurance while we wait for the coming dawn.

We sit the vigil on Solstice night because it isn't easy. We sit the vigil on Solstice night because not everything about life, love, faith, or God is GOING to be easy, but we are strong enough to meet its eye, spit into our hands, and take it on anyway. And a little, but frankly, rather difficult thing like staying awake all night to 'make sure the Sun comes up' is a way of celebrating that fact, even if we know all along it'll come up just fine without us.

And if we happen to drink wassail, eat gingerbread, and watch Top Gear while we do? Well, Jeremy Clarkson's ego is involved; tell me THAT doesn't add a few stone to the burden when all's said and sifted?

Monday, November 28, 2011

Young Man With a Juvenile Red Tail Hawk In Schuyler Park.

Young Man With a Juvenile Red Tail Hawk In Schuyler Park.

By Catt Kingsgrave


Strap your bells upon my heels to take my silent flight away,

From the jesses let me dangle till I let you have your say.

Keep me hungry, keep me focused, keep me near so I must come

Whene’er you call me from the sky to stoop and nibble at your crumbs.


Tell yourself you trapped me fairly; there’s no sin for to atone

That I am happier being yours than when entirely my own.

Call me emblem of the Royal, or the favorite sport of kings

Specimen or prize or profit, proof of how your manhood swings


But fancy not I’ll come to love the hand inside the leather glove

Don’t dream that I’ll have given up myself -- the arching sky above

Wide thermals rising from the ground, to stoop like lightning without sound

Of bells; my prey what might be found and carried off. You keep the ground.


Then lace your eyeless hood atop my head

And know that I would like you better dead.




Author's note: Yes, I've handled captive raptors and owls before -- all those birds were rescues who could never be released wild again, not young, healthy birds trapped and taken from the wild. Yes, I know that the training means are far more humane now than they used to be... but then the means of breaking the spirit of a wife used to be just as openly brutal, and the fact that one breaks that spirit more gently now does not make it less broken, Nor less of a shame in my mind. I've no idea if the young man had the right permits and licenses to have captured the bird, or to be training her that way. Not having the authority to intervene if he didn't, it did not seem worthwhile to ask. But I do know that hearing him talk about her training echoed eerily the pattern of domination and control that often begins when a domestic partner turns violent.

The poem above came to me as I drove home from the park.
Make of it what you will.

Friday, November 11, 2011

George and The War

Title: George and The War
by Catt Kingsgrave
Rating: Gen
Wordcount: 1700
Genre: Memorial poem... with dodgy scansion.
Author's notes: This is a votive offering for my Grandfather, who died earlier this year, and to whose funeral I could not make it. I wrote this on Halloween, before making an Obon lantern boat for him -- a tradition I've adopted as part of my Samhain rite in any year that someone I know has passed on. The sight was lovely, and I wish I'd a way of capturing that line of glowing jewels as they floated easily down the river toward the sea... but it was late, and we were all tired, and we just didn't think of it then. So I'm sharing this poem I wrote for/about him now, in honor of Veteran's Day, 2011. No apologies.
Feedback: This is pretty personal stuff here, so concrit might not go over well. Headpats would be welcome though.
Linking/reposting: Sure. Just ask first, and send me a link, so I can track where it goes please.
Tips: Not for this one.



George and The War

What follows is a story of a man I never knew,
But who somehow laid the pattern for what I would know as true
And strong and right, and to be wished for
And of what was worth the fight,
And whose spirit I sent sailing down the river Samhain night
With a candle lit to guide him, and a sail of ocean blue
And a story built of pieces I have gleaned from those who knew.

George was a good boy, and he was a good man
Branched up out of humble and hardworking clans.
He was a deft tinker, a good man with tools,
With a mind running higher than everyday rules.
But he wasn't a rebel. He tried to be good,
Clever, strong, and upstanding, to show where he stood
In a world that was hurtful, and reckless, and cold,
Where a soul could be bought, and a life could be sold,
And but could he cleave tight to the things he knew right,
Then he might just hold fast, and stand tall.

Then the Harbor went up into flames,
And the shadow of Japanese planes
Scared the somnolent giant right up to its feet,
Sent a million Joes marching in ten thousand streets
To note their names down upon crisp paper sheets
They would offer in trade for their guns.

(And the God of his Fathers had told him not to kill.
That death is bought cheaply, and comes where it will,
But that life is a chalice which can't be refilled
Once it has been broken or spilled.)

George rose to his duty: no coward, no shirk,
Put brain, back, and belly full into the work.
He kept up the engines, the cars and the trucks,
Generators and loaders, and diggers, and luck
Brought his wheels to the beachhead -- the first in four days
With a tractor intact to dig all the men's graves
Who, in those three days prior, had charged through the tide,
Got their first tour of France in the moment they died,
Then bore blind, bloody witness wherever they fell,
To the living, who fought for that eight miles of Hell
Till the first landed backhoe that made it up whole
Scraped them out of the way and into a deep hole.
And George hoped, as the sand brushed their bodies from sight,
That they were resting better than he would that night.

(And the God of his Fathers had said how it would be.
That the righteous would survive, while the sinners could not flee,
But through dust, blood and gunsmoke, it grew hard for him to see
How the dead were less righteous than he.)

George's coil went un-shuffled, his bucket un-kicked.
He did his job well even when he felt sick
At the hell all around him in War's grisly tread.
At the nightmares that ranged very far from one's bed
To march over the hillsides in boots of both kinds,
Wreaking bloody amusements on any they'd find.
Still, the process, the pattern, the motors, the gears
Gave a part of him anchorage -- a wheel that could steer
By the schedules. Supply times, upkeep of the fleet
Kept him sane, or sane-seeming, and up on his feet.
And yes, there were times when he fought not to run,
And times when he held fast and fired his gun.
And yes, there were lives that he shattered this way,
But I don't know those tales, for he never would say.

But I know he picked Jerry cans up off the roads
Where the tank-jocks had thrown them to lighten their load.
And he convoyed the diesel for Patton's advance
Through the hill towns of Belgium, and Brussels, and France.
That he once, in a village that should have been cleared,
In a mid-convoy truck with a dodgy third gear,
Watched the lead truck (his own when he'd started that drive,)
Explode into flame leaving no man alive.
And three days door to door, street to cellar they fought,
Till the column came 'round and the catchers were caught.
And I don't know how many of Ours or of Theirs
Met their ends in that village's parlors or stairs,
But I know at that battle, like all those before,
Young George left a piece of his soul on the floor --
A shred of the good boy whom once he had been,
Back when rules were straightforward, and fair play could win,
And when honor was more than an Officer's word
Sent in letters back home as the dead were interred;
Or a thin bit of brass that was stamped with a time
When the sense that God gave you was screaming to hide,
But you didn't, and only in retrospect learned
That really, you probably ought to have died;
Or a word that they say at the foot of your bed
When your arm is half-gone or you can't move your head,
Or disease and dementia wear through to the bone,
Meaning "Sorry we broke you young man, now go home."

(And the God of his Fathers said despair was a sin.
That faith must go the distance when all hope had been kicked in,
Cause it's done when He says so, and not one heartbeat before.
So you'd better keep your knees upon the floor.)

For George, the War up-ended while he worked the Maginot Line:
Clearing out traps and tripwires, defusing lurking mines
Left by soldiers, that soldiers whom after would come
In their footsteps, must creep, never daring to run.
T'was a foot put down wrong; a pliers that slipped;
A red wire instead of a blue that got snipped,
And under George went in a welter of dust,
Pain, and deafening silence, with the taste of rust
And of copper, and ends flooding over his tongue.
He must have thought sure that his tour was all done,
But Talent and Competence are dearly bought,
And those who shape the nations considered, and thought
How useful and handy their young George had been,
And thought that a way might perhaps yet be seen
Whereby the downed soldier might useful be still:
A bit of down time, what he needed to heal,
But then higher rank, and more brass, and more pain,
More soul shards lost in gory rain,
More deaths, more killing, more despair,
More nightmares he could hardly bear,
More gas, more gears, more bombs, more bones,
More flowing fire, more flying stone.

(And the God of his Fathers had taught him to obey.
That the primal sin of humankind is looming till this day,
And the price of disobedience runs generations long,
So when you're told, you'd best just move along.)

But George lay, de profundis in his army medic cot,
And considered what he'd lost against what little he had bought.
Thought of facing his reflection every day that he might live,
What he'd see inside his mirror, and just what he could forgive.
Then he handed back the letter, and in respectful tones,
Said "I don't want a field promotion Sir. You've broke me. Send me home."

(And the God of his Fathers said he'd reap what he had sown.
That the plowshares, swords, and politics would always claim their own,
And there just is no escaping from the sins of one's own hands,
No matter how your ledger's balance stands.)

George did a lifetime's sowing in the fields he knew as home,
All the seeds he hoped would grow into the truths he once had known;
Honor, truth, responsibility, fair reward for working hands,
And obedience to what his Church or Country might demand.
And the harvests of his lifetime came in flowers, fruit and grain,
And in thistles and in brambles, and in blight and grief and pain,
And in love that built a family, (half would die before his time,)
And in work to build a name that would survive the winter's rime.
To do what it was he must to greet his mirror every day,
To keep the memories down, and keep the nightmares all at bay.
George was no marble hero, and his feet were flesh, not clay;
Judgmental and sarcastic when his temper had its way,
Fell to bigotry at times, rode to rescue other days,
And last spring, he laid his life aside, got up, and walked away.
For he could no more stand tall, and he could no more hold fast,
And so he chose his ending on his own terms at the last.

Now all that I have told you, I have heard from other tongues;
Not a whisper of his telling would he share when I was young,
Nor when I grew. But once I wrote to him, and tried to make it plain
That he was my only hero, and it was against his frame
That I would measure every man who ever caught my eye.
But I've no clue what he thought; he never wrote me a reply.
I don't know if it moved him, I don't know if he cared,
For he never gave me reason to think that respect was shared,
And I can't recall a moment when he said I'd made him proud
As an adult, but I suppose he wouldn't say such things aloud.
And now I'll never hear them, though there's those who hold him dear
Who'll offer that assurance, say the words I want to hear,
And will explain his way was silence, and in subtlety he proved
Just whom he thought was worthy, just whom he really loved.
And I'll nod like I believe them, but in truth I'll never know
If I was more to George than stories of a toddler long ago,
Or if the part of him that could have written answer back to me
Lay in pieces upon battlefields far off across the sea.

(And the God of his Fathers says a lot of stupid things.
And I gave up all the blame and shame and anguish that it brings
To live by a set of rules that always serve another's needs,
Leaving mine to starve and struggle, scratch a harvest through the weeds.
I will never have his blessing, but he still has my respect;
Not overly a hero, but a man I'll not forget.)